Reviews - Body Blow The Movie

Reviews

"Wonderfully Deranged, Darkly Romantic, Howlingly Funny."

Filmink — Erin Free

"...and somehow bitterly cynical and curiously hopeful at the same time."

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"Queer Aussie neo-noir BODY BLOW knows the power of the penis."

Movie Jawn — Elijah Fischer, Staff

"Body Blow is a refreshingly sleazy queer film that knows how to use its sleaze sparingly and impactfully, something that feels like a lost art in today's cinematic landscape."

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"Reclaiming the Erotic Thriller."

Cinedump — September 23, 2025, Fantastic Fest

"Neon-soaked, sultry, dangerous, and defiantly queer, it honors its cinematic ancestors while carving out a space entirely its own."

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"BODY BLOW is a Dreamy, Queer-as-Hell Neon-Noir."

Cinapse — Julian Singleton, Fantastic Fest 2025

"A sensuous and unabashedly Queer reclamation of 90s erotic thrillers, much of Dean Francis' Body Blow plays as if Kenneth Anger successfully led a mutiny on the set of a Tony Scott film."

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"Body Blow: Australian queer cop noir makes an unexpected twist."

Austin Chronicle — Richard Whittaker, Fantastic Fest Review

"Unlike how oddly, archly hollow giallo knockoff Knives and Skin merely aped the tropes of its chosen genre, Body Blow gives the weight of lust and despair to its noir conventions."

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"Fantastic Fest XX Review: In BODY BLOW, A Provocative, Propulsive Bruiser Of A Crime Flick."

Film Combat Syndicate

"Brimming with sex, lust and danger, Body Blow takes you on a journey of necessity, unfolding a compelling cop procedural through an intoxicating queer lens."

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"Eye For Film: Body Blow Review — ★★★★☆"

Eye For Film — Jennie Kermode

"Immersive and intense, the more so because of its roots in a brutal history of gaybashing by Sydney cops, Body Blow is the sort of all-in atmospheric thriller we don't see much these days, and definitely worthy of attention."

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"We Became Very, Very Close Creatively."

Cinema Australia — Interview by Matthew Eeles

"...and I am so proud of the performance Tim gives. I think it's absolutely earth-shattering." — Dean Francis

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"A Collision Between John Waters and Late-Night Cable Erotica."

Four Time Film School Dropout — Dominic La-Viola

"...all filtered through a grime-coated exploitation lens that understands exactly how ridiculous it wants to be."

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